Thursday, November 5, 2009

Nonobjective Films at the Guggenheim Museum

Tomorrow, Friday November 6, at 2pm, and again on November 20, in New York, there will be an accompanying program to the Guggenheim's Kandinsky exhibition, called "Nonobjective Films, 1920's-1950's." A program of artists supported by Hilla Rebay and organized by the Center for Visual Music.

Image from the Center of Visual MusicIn the 1940's, curator and founding director Hilla Rebay planned to establish a film center at the Museum of Non-Objective Painting, which later became the Solomon R. Guggenheim Museum, to collect and promote nonobjective films. She awarded grants to artists and presented programs of short experimental films. With the help of Oskar Fischinger, an elaborate film center was planned to include studios and planetarium-style projection capability. Although unrealized, Rebay's support enabled many filmmakers to continue their work in abstract film. This program presents short films by filmmakers whose work was screened and/or supported by Rebay, including Jordan Belson, Mary Ellen Bute, Charles Dockum, Oskar Fischinger, Norman McLaren, Hans Richter, Harry Smith, among others. Having experimented with nonobjectivity, many of these artists were familiar with the work of Vasily Kandinsky, one of its most famous practitioners.

The films will be projected at 2 pm (16mm films) and 2:30 pm (35mm films), at the New Media Theater, free with Museum admission. And the program is:

16mm:

- "Symphonie Diagonale," Viking Eggeling, 1921-24.
- "Film Studie," Hans Richter, 1926.
- "Tarantella," Mary Ellen Bute, 1940.
- "Film no. 7," Harry Smith, c.1952.
- "Mobilcolor Performance at the Guggenheim Museum," Charles Dockum, 1952.
- "Séance," Jordan Belson, 1959.

35mm:

- "Studie no. 7," Oskar Fischinger, 1931.
- "Loops," Norman McLaren, 1940.
- "Allegretto," Oskar Fischinger, 1936-1943.
- "Radio Dynamics," Oskar Fischinger, 1942.

Almost all are new prints; the Fischingers and Dockum are new prints from the Center for Visual Music's recent preservation projects. CVM also thanks Cecile Starr and Robert Haller.

Thursday, October 15, 2009

Margaret Mead Festival Line-Up

The 33rd Annual Margaret Mead Film & Video Festival line-up is live at the Museum of Natural History website, at this link. They are presenting 33 films, 25 premieres, and 26 filmmakers, who will be in attendance, on November 12-15.

Ariella J. Ben-Dov, Artistic and Festival Director of the "Mead," says, "Travel the world all from the comfort of the American Museum of Natural History, where you can get to know the people and places from Mauritania to Mumbai, from Chongqing, China, to St. Petersburg, Russia, and from the Gulf Coast of southern Florida to right next door in Brooklyn. We'll follow the length of a race-track that starts in Paris and ends in Dakar Africa, pausing to meet with the communities along the way. We'll go north to the Seward Peninsula where a Native Alaskan community comes together to mourn the impending loss of their land to climate change. A schoolyard in Brooklyn becomes a battlefield in the War on Terror. And two historic neighborhoods facing the ugly side of urban renewal, one in Beijing, the other St. Petersburg."

Image From Margaret Mead Festival 2009 The opening night film, "Cooking History", takes us across the battlefields of the 20th century, where even the destructive force of war has contributed to culinary and cultural exchange. In "Hair India", which closes the festival, sacrificial hair shorn in a Hindu temple is transported to a factory in Bangalore, to a distributor in Rome, then back to India’s finest salons. In "Babaji, an Indian Love Story", a Hindi man embraces the burial practices of another religion in hopes of being reunited with his beloved wife. Finally, "Hotel Sahara", about Africans looking for a way into Europe, and "7915 KM", about Europeans racing through northeastern Africa to Dakar, demonstrate how, for better and worse, we continue to carve new grooves into the world.

The Margaret Mead Film & Video Festival honors the legacy of famed anthropologist and American Museum of Natural History curator Margaret Mead, showing documentaries that increase our understanding of the complexity and diversity of the peoples and cultures that populate our planet.

Wednesday, October 14, 2009

Free Teleseminar with Sundance Programmer

Caroline Libresco, Senior Programmer of the Sundance Film Festival, will be on a free teleseminar this Thursday evening, October 15th, at 5:30pm PST, talking about how to get into Sundance, how to prepare if you get in, what you can do if you don't get in, and how to make the most out of the festival circuit.

To register for the free call, click on this link, part of the website Documentary How To.

Monday, July 6, 2009

Camden International Film Festival call for entries

The Camden International Film Festival (CIFF) is now accepting submissions for their 2009 program. Documentary features and shorts of all lengths from all corners of the globe are eligible. The 5th Annual Film Festival will take place from October 1st - 4th, 2009, screening the best international documentary film to audiences in venues throughout Midcoast Maine. The weekend will also consist of panels, workshops, musical concerts, photographic exhibits, parties and other special events.

The CIFF is committed to supporting and generating interest in independent documentary films. The annual festival presents a snapshot of the cultural landscape through the year's best non-fiction storytelling, connecting filmmakers with eager audiences and industry representatives to discuss documentary film as an art form, a catalyst for change and as an outlet for the independent voice.

Deadlines:

July 15, 2009: Regular deadline. Feature $30; Short $25
August 1, 2009: Late deadline. Feature $35; Short $30
August 10, 2009: Extended deadline. Feature $45; Short $40

Friday, July 3, 2009

IDA Documentary Awards 2009: Final Deadline

The International Documentary Association (IDA) Documentary Awards is the foremost event dedicated to the art of documentary film. And they are proud to announce the Special Recognition Awards for the 2009 awards program. Many Special Recognition Awards carry with them cash prizes. These awards recognize outstanding documentaries focusing on the natural environment, social justice, diversity of the human race, as well as achievement in the use of news footage. To apply for the IDA Documentary Awards, please go to Withoutabox.com to submit your entry online. The final deadline is by 11:59pm July 7th.

Logo IDA. c. IDA
The IDA Distinguished Award Main Categories are:

FEATURE: Individual, stand-alone documentary, more than 40 minutes long. Student feature projects not eligible in this category and should submit as an entry in the IDA/David L. Wolper Award below. Award recipient - Limited to two persons, one of whom must be the credited Director who exercised directorial control, and the other of whom must have a Producer or Director credit.

SHORT: Individual, stand-alone documentary, less than or equal to 40minutes long. Student short projects not eligible in this category, and should submit as an entry in the IDA/David L. Wolper Award below. Award recipients - Limited to two persons, one of whom must be the credited Director who exercised directorial control, and the other of whom must have a Producer or Director credit.

LIMITED SERIES: A limited series of episodes with a specific, continuing theme, topic or subject. (Sin City Law, The Supreme Court). Student projects are not eligible in this category. Award recipients -Limited to two persons. While co-production partners may be credited, only the Series Producer(s) will be presented with the award.

CONTINUING SERIES: An ongoing series. (American Masters, Nova, ThisAmerican Life). While co-production partners may be credited, only the Executive Producer(s) of the continuing series will be presented with the award. Student projects are not eligible in this category. Awardrecipients - Limited to two persons.

IDA/DAVID L. WOLPER STUDENT DOCUMENTARY ACHIEVEMENT: A short or feature film/video, produced by registered, degree-seeking student(s). This award recognizes exceptional achievement in non-fiction film and video production at the university level and brings greater public and industry awareness to the work of students in the documentary field. PRIZE: $1,000 honorarium, $1,000 toward the purchase of motion picture film, courtesy of The Eastman Kodak Company, and production of 1,000 DVD's courtesy of Magic Rock Entertainment.

Special Recognition Awards:

Not all five main categories of awards are eligible for every special recognition award listed below. See each one below for specific rules relating to which categories can be submitted for special recognition.

IDA/ABCNEWS VIDEO SOURCE AWARD for the best use of news footage as an integral component in a documentary. “News footage” is defined here as factual footage, contemporary or historical, shot for use in context such as newsreels, news specials, magazines or nightly news. “Integral component” is defined here as footage which is central to the structure, meaning and impact of the work. All main categories are eligible for this award. PRIZE: $2,000 Honorarium and $2,000 worth of research time at the ABCNEWS Video Source facility in New York.

IDA/PARE LORENTZ AWARD In keeping with the nature of Pare Lorentz's films —a successful candidate for the Pare Lorentz Award will demonstrate one or more of Lorentz's central concerns— the appropriate use of the natural environment, justice for all and the illumination of pressing social problems— presented as a compelling story by skillful film-making. A Pare Lorentz film will exhibit the highest production values: objective research, artistic writing, and outstanding music composition along with skillful direction, camerawork and editing. All main categories are eligible for this award. PRIZE: $2500 Honorarium.

IDA/HUMANITAS AWARD is given to a documentarian whose film strives to unify the human family by exploring the stories of human beings who are different in culture, race, lifestyle, political loyalties and religious beliefs in order to break down the wall of ignorance and fear that separates us. Only entries into the Distinguished Feature main category may apply for this award. Student projects are not eligible in this category. PRIZE: $2500 Honorarium.

IDA MUSIC DOCUMENTARY AWARD is given to a filmmaker for an outstanding documentary communicating the cultural importance of music and its power to enrich the human spirit. The entry must have all rights cleared. The award goes to ONE recipient: the credited individual who exercised creative control. Only stand-alone entries into the Distinguished Feature or Short main category may apply for this award. Student projects are not eligible in this category.

Submission fees:

Features & Shorts - $150 (members), $180 (non members).

Wolper Student Achievement Award - $50 (members), $60 (non members).

Limited & Continuing Series - $350 (members), $450 (non members).

Applicants will be notified in mid-October if selected to participate. Entry fee is NON-REFUNDABLE.

Monday, June 29, 2009

Call for entries music documentary film festival in Barcelona

The submission deadline of the 7th "In-Edit.Beefeater" International Music Documentary Film Festival in Barcelona will close on the 30th of June. Films submitted after that date will not be considered for this year's edition. The Festival will take place from the 29th of October to the 8th of November.

As every year, "In-Edit.Beefeater", the only music documentary film festival in Spain and one of the few in the world, invites filmmakers, producers and distributors around the world to submit their music films. After successful editions of "In-Edit" in Chile, Argentina and Mexico (in Brazil it is just about to start), the Festival will come back to Barcelona with a selection of remarkable music documentaries from around the World.

Logo In-Edit Beefeater

Monday, June 1, 2009

Welcome to Silverdocs 2009

The seventh ediction of the Documentary Film Festival "Silverdocs" will run from Monday, June 15th through Monday June 22nd. "Silverdocs" will present 122 films representing 58 countries selected from 1,983 submissions with seven World, three North American, 12 US, and 14 east coast premieres, plus 12 retrospective films.

The films will be screened in six sections: Sterling US Feature Competition, Sterling World Feature Competition, Best Music Documentary, Silver Spectrum, Sterling Short Films and Special Programs. And its International Documentary Conference will explore storytelling in an ‘always on’ world, with a particular emphasis on youth, craft and next generation media artists. Tom Bernard, Sony Pictures Classics co-president and co-founder, will be this year’s featured speaker addressing “The Future is Strange”.

But the most important thing is... the films. The site for independent filmmakers "IndieWire" has published the selection in this link.

To get warmer, just enjoy this interview at Silverdocs with Martin Scorsese in 2006.

Sunday, April 12, 2009

Call for entries at the Margaret Mead Festival

The Margaret Mead Film & Video Festival early deadline is fast approaching this June 26th! Send in your submission today. The Mead is the longest running documentary film festival in the United States. They are seeking a range of non-narrative works: feature and short documentaries, experimental and essay films, animation, indigenous media, and more.

Image from the film In the Land of the Head Hunters.

There are two ways of submitting your work to the Festival:

1. Mail the film along with an entry form. All forms and guidelines can be downloaded from the web site at: http://www.amnh.org/programs/mead/submit

2. Submit the film through "Without A Box" at: http://www.withoutabox.com/login/1236

Your can also join the Facebook group Margaret Mead Film & Video Festival and get updatesabout screenings and other Festival related events.

The Mead was founded by the American Museum of Natural History in New York in 1977, in honor of pioneering anthropologist Margaret Mead on her seventy-fifth birthday and her fiftieth year at the Museum. A film festival represented an especially apt form with which to celebrate Mead's life, as she was one of the first anthropologists to recognize the significance of film for fieldwork. Organized by the Museum's Public Programs Division in the Department of Education, the Festival is held each November as well as a Traveling Festival, which includes a selection of titles from the Festival. TheTraveling Festival screens at museums, universities and theaters throughout the United States and abroad.